Showing posts with label fine art. Show all posts
Showing posts with label fine art. Show all posts

Beth Katleman's Folly. Three Dimensional Ceramic Toile Wallpaper Installations.





“Folly” is a three-dimensional rendering of traditional Toile de Jouy wallpaper by artist Beth Katleman. On close inspection, the elegant, Asian-inspired pavilions that comprise the landscape of “Folly” are populated with kitschy figures, cast in ceramic, from popular culture.





The artist created 12 separate installations of Folly, the first of which sold for $200,000 through Todd Merrill Studio Contemporary to a private Australian collector in 2010.



As Katleman, shown above in front of one of her Folly installations, explains:
“I have long been fascinated by Toile de Jouy, the printed fabrics that drape the walls and beds of 18th century France. Peasants cavort in bucolic landscapes decked out with flowers, all in the shadow of classical ruins. There is something surreal about these scenes, which float, disembodied in a world without gravity. I love the contrast between the ornate sensuality and frivolity of the scenes, and the incongruous setting. Often the 2nd and 3rd generation knock‐offs catch my eye, especially those that project a sense of optimism, as though they long for a grander existence”








In Miami, Folly was installed on a Royal blue painted wall instead of the Wedgewood blue seen at both the Greenwich House's Jane Hartsook Gallery and Todd Merill Studio Contemporary.




"Folly" has received recent coverage in The New York Times, The Art Economist, The Art Newspaper, Ceramics Art and Perception, France’s La Tribune, Shanghai’s Grand Design and Taiwan’s Cacao. “Folly” was exhibited at the Museum of Arts and Design in New York in the Fall of 2011 and will be on view at The National Trust in the U.K at Claydon House in 2012.

Materials: Porcelain, wire, steel rods and heat-shrink tubing
Dimensions: 192" W x 108" H x 11"D (487cm W x 274cm H x 28cm )

images and info courtesy of Jane Hartsook Gallery, Todd Merill Studio Contemporary and Go Ceramics!

Nick Gentry Puts Obsolete Technology, Floppies, To Good - And Artistic - Use.



above: Next Generation by Nick Gentry (detail), floppy disks, acrylic paint, mixed media mounted on wood.

Nick Gentry is a British artist from London whose majority of his artistic output has been generated with the use of contributed artifacts and materials.


above: Contemporary artist Nicholas James Gentry (image courtesy of Miami New Times)

He states that through this process "contributor, artist and viewer come closer together." His art is influenced by the development of consumerism, technology and cyber culture in society, with a distinctive focus on obsolete media.



above: Constructed MemoryScape (full and detail), 2011, Mixed paint and used computer disks on wood, 84cm x 90cm

Best known for his floppy disk paintings, which combine the now obsolete tech storage with acrylic paints, metallic leaf and mixed media mounted on wood, Nick places an emphasis on recycling and the reuse of personal objects as a central theme.

Life Story:

below: Life Story (detail)

Index:

Elements of Existence:

Profile Number2:

Switchblade:

Profile #1:

Alterra:

Archived:

Voyager:

Next Generation:


The following 2011 works by Nick Gentry are available at the Robert Fontaine Gallery:











Nick's recent solo show at the Robert Fontaine Gallery in Miami (which ran from August 25th through September 2, 2011) included the first pieces of the Invicta Watches Artist Series which featured Nick's "The Secret Key":


Nicholas James Gentry is a graduate of Central St. Martins in London. Notable exhibition venues include Art Paris, Verge Art Fair (Miami) and appearances at Bonham's and Dreweatt's Urban Art Auctions in London. International press for Gentry has included the Mirror, the Huffington Post, La Repubblica, Juxtapoz Magazine, Wired Magazine and the Wooster Collective. Gentry's work was a part of the inaugural Artist Series from the Invicta Watch Group, presented by Ocean Drive Magazine in Miami. Gentry lives and works in London.

Nick has tons more of his work available to view on his Flickr photostream.

images and info from Nick Gentry's site, flickr account and Robert Fontaine Gallery

Nonpareil Pet Portrait. One Sweet Beagle Made of 221,184 Colored Sprinkles.





What began as a university fine arts project on Pointillism and Georges Seurat by student Joel Brochu, evolved into a remarkable artistic idea.



What looks like an image of a beagle getting a bath (above) is actually a 4’ by 1 ½’ high definition photograph covered in 221,184 nonpareil sprinkles, each placed painstakingly by hand.



At a distance of 16 feet, the sprinkles blur, tricking the human eye into believing that it is looking at a large photograph. Only when you closely examine the work do you realize that it has been created entirely with tiny spheres of rainbow nonpareils.







Meticulously placed by hand using jewelry tweezers, the sprinkles adhere to the board with the help of double sided tape and a thin layer of glue.




Using only 6 colors of sprinkles (Red, Orange, Green, Blue, Black, and White), a myriad of hues was created.




Joel used a customized computer program, in which a template was created from the original image which guided the placement of each sprinkle. Taking just under 8 months to complete, once finished, it was permanently preserved with a clear acrylic resin.

Sweet, huh?

A big shoutout to Betsy Wills and her wonderful blog, Artstormer, for bringing this unique piece to my attention. Most images courtesy of Joel Brochu
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