Writers are taught to avoid cliches in their art, but Oscar-nominated scribe Aaron Sorkin simply can't help himself.Mmmmmmmm, the sweet smell of cliché avoidance.
Sorkin's HBO drama The Newsroom packs plenty of overt, and obvious, anti-conservative cliches in an average episode. Sunday's season finale stuffed as many as Sorkin and his writing team could rally, proving he cares more about scoring political points than crafting solid stories.Solid stories can't use clichés? Yet Indisputably Good Things like complaining about liberals complaining about conservatives RELY on clichés. It is a piddle wrapped in a hysteria inside an angina.
The sense of projection is stunning. So, too, is Sorkin's inability to separate his rage for conservatives from his duties on his very own show.I have never seen this show, and likely will never see this show. But it seems to me that, two seasons in, maybe Sorkin has developed a sense of duty that, in some perversion of the universal law that being mean to conservatives is wrong, delivers him large bags of money.
Oh dear, I seem to have left the headline to this item for last:
AARON SORKIN'S 'NEWSROOM' TAKES LAST SHOT AT CONSERVATIVES, DUBS THEM HOMOPHOBIC, ANTI-SCIENCE
