Based on my Tripod experience, I’d offer the hypothesis that any sufficiently advanced read/write technology will get used for two purposes: pornography and activism. Porn is a weak test for the success of participatory media – it’s like tapping a mike and asking, “Is it on?” If you’re not getting porn in your system, it doesn’t work. Activism is a stronger test – if activists are using your tools, it’s a pretty good indication that your tools are useful and usable.Via this:
If you want to play, you have to play where the people are. If you do anything with erotica and porn, that means shunning the platforms where you’re wholly unwelcome, pushing yourself as far as possible onto the platforms where you’re somewhat tolerated, and enthusiastically exploiting the platforms where you’re truly welcome. But it’s important to understand that companies and platforms have life cycles, and there seems inevitably to come a time in all of them where porn that was formerly welcome (often, porn that played a fundamental role in building the popularity of the platform) will get kicked to the curb or shoved behind a sleazy curtain at the back of the store. Although I believe in making this process as embarrassing and painful as possible for the companies that do it, I don’t really believe it can be prevented, or even mitigated much. All you can do is expect it, prepare for it, diversify as much as possible onto as many platforms as possible, and stay agile.Pronunciation guide for Ikea products.
The pornocalypse comes for us all.
Rape joke debate: "... also you were probably kind of asking for the Holocaust."
Artists in Laboratories:
During the show we will be talking about how she managed to get her hands on a fresh human brain but Helen will also discuss some of her broader projects such as The Body Is A Big Place, a large-scale installation that explores organ transplantation and the thresholds between life and death.
